輔大開放式課程 > 文學概論-劉紀雯老師
課程名稱:文學概論
授課教師:英文系 劉紀雯 老師
開課單位:日間部/英文系
授課時數:每週3小時,共18週
授課對象:對英文文學與電影有興趣之學生,
具全民英中級、中高級以上的學生較佳。
文學概論是一門引領大一學生進入文學領域的課程,因此課程目標設定為:
由和同學相關的主題入手,以生動活潑方式教授英文文學三大文類的形式基本要素與分析方式,俾使同學
1.對文學產生興趣,
2.懂得如何著手分析文學作品,
3.並思考文學作品與自己和自己的社會的關係。
/ 學習目標
01
學習目標
/ 課程知識架構圖
02
/ 修課歷程參考
03
年級
選別
相關科目
一
必修
選修
文學概論,英語會話,英文作文,希臘羅馬神話典故,電腦應用,閱讀,聖經文學概論
英語聽講,英語聽力及口語訓練,進階英語聽
必修
演說與辯論,西方文明史(二),英文作文(二),西方文明史(一),英語會話(二),語言學概論
選修
莎士比亞,電腦輔助書目及研究 ,英國文學史(二),舞台藝術:導演技巧,進階僑生國文,英中翻譯(二),英國文學史(一),中國韻文專題(一),中國韻文專題(二),西方文明史(跨 國),表演概論(跨國),語言學概論(跨國),繪畫(一),英中翻譯,跨文化溝通:當代日本文化,舞台藝術:表演技巧
二
選修
必修
英文作文(三),英語會話(三)
會話教法,藍調音樂中的詩,美國文學史(二),語言評量,比較文學概論,社會語言學,英語教材教法,電腦與網路外語教育,世界名著選讀 ,當代戲劇與音樂劇,美國小說與電影中的大街意象 ,文學批評:寫實主義與物質文化,應用語言學概論,言談與語法,劇場專題:西方戲劇中的台灣角色 ,新聞採訪與寫作
三
四
選修
創意寫作:小說創作(二),口譯概論:英譯中 ,創意寫作:小說創作 ,大四劇場實務實習,商務英文(一) ,商務英文(二),中英翻譯(一) ,中英翻譯(二) ,高級口語訓練 ,逐步口譯:英譯中
課程模組參考
課程模組
科目
基礎語言文學文化課程
[文學概論 ]
[希臘羅馬神話典故 ] [聖經文學概論 ]
[語言學概論 ] [西方文明史(一) ]
[進階僑生國文 ] [西方文明史(二) ]
[中國韻文專題(一) ]
[中國韻文專題(二) ]
課程模組對應職業
[中小學、特教、幼稚園教師 ]
[民意代表、 行政主管、 企業主管及經理人員 ]
[行政助理專業人員 ]
[作家、新聞記者及有關工作人員 ]
[技術員及助理專業人員 ]
[事務工作人員 ]
[服務工作人員及售貨員 ]
[專科、學院及大學學校教師 ]
[現役軍人 ]
[補習班教師 ]
[藝術、娛樂及運動助理專業人員 ]
本課程預期養成之學生核心行為能力
全校共同核心行為
問題分析與解決行為
人際溝通
團隊合作
創新
整合與運用資源
應變
規劃
洞察環境變動
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Annotation and Analysis 20%(10 at least, each 2 %; additional ones will be given extra credits.)
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Class Participation and Play Contest: 20 %
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Midterm- 30%
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Final: 30%
04
/ 評量標準
註:有關本課程相關之學習地圖資訊,可參考「輔仁大學學習課程地圖」網站內容
/ 參考書目
05
The Norton Introduction to Literature. Shorter Tenth Edition. Eds. Alison Booth and Kelly J. Mays. NY: 2010.
/ 課程內容
製作團隊:教發中心 外語資教學資源中心;輔大影傳系- 蔡宜珍、陳嘉珮
06
上學期
週次 單元 教材連結
Introduction:The Pleadure of Fiction
1. What is Literature
e.g "The Sound Collector"
2. Ref. "Fiction:Understanding the Text"(p. 50-)
Chopkin, Kate "The Story of an Hour" (1984, p.353-)
1
2
3
4
3. Gabriel García Márquez "A Very Old Man with Enormous Wings” (1961 p. 271-)
Class discussion: Plot summary, show and tell
4. Updike, John --“A & P” (1961 p. 589-)
Class discussion: style (slang and jargon); point of view
5. Joyce, James “Araby” (1905, p503-)
Class discussion: figurative language; comparison
6. Faulkner, William “A Rose for Emily”
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Critical Contexts: William Faulkner’s “A Rose for Emily” (p.389)
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Class discussion: Is Emily Guilty? A Debate or Court Trial
5
Exam. 1: on Fiction
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Introduction to Pygmalion by George
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Bernard ShawRef. “Drama: Understanding the Text” (p. 1125-)
6
Shaw, George Bernard Pygmalion ACT1
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Pygmalion. Act I and Act II. (pp. 11-37)
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lass discussion: Character, Accent, symbol
7
Pygmalion Act II & III (pp. 38-71)
Class discussion:
1. Creative Adaptation or Performance
2. Language and society
8
Pygmalion. Act III-IV
(pp. 71-87; please start to read Act V)
Class discussion:
1. Music, Set and Prop
2. Film and literature
9
Pygmalion Act V and Postscript
Class discussion:
1. Theme and Presentation
2. Social Contexts: Theirs and Ours
10
Poetry I: Tone, Sound and Line Pattern
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Brooks, Gwendolyn “We Real Cool” (p684)
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Dickinson, Emily “I’m Nobody! Who Are You?”(p422-424)
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Whitman, W. “A Noiseless Patient Spider” (1862-63)*
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Rich, Adrienne “Aunt Jennifer’s Tigers” (1951 p. 660)*
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R. Hayden “Those Winter Sundays” (1962 p. 796)
Poetry and Songs for Pleasure:
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Lyn Lifshin “My Mother and the Bed” (1999)
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Cowboy Junkies “Musical Key”
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Class discussion: Paraphrase and poetic language
11
Poetry II: Imagery and Metaphor; Poetic Form (1)
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P. Larkin “Days” *
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E. Bishop “Sestina”(p. 829)
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S. Plath "Metaphors" (1960)*
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E. Dickinson “Because I could not stop for Death--”*
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Dylan Thomas “Do Not Go Gentle into that Good Night” (1999 p. 827)
Poetry and Songs for Pleasure:
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“Ironic” (ref)
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Auden “Stop all the clocks, cut off the telephone” (p. 609)
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Class discussion: Paraphrase and Analysis
12
Poetry III: Rhyme and Rhythm
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D. Walcott “Earth”*
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Dickinson, Emily "A Narrow Fellow in the Grass" (1866 p. 790)
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W. Whitman "When I Heard the Learn'd Astronomer" (1865)*
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W.H. Auden "Musee des Beaux Arts" (1938, p. 859)
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Stevens, Wallace “Anecdote of the Jar” (1923 p. 1043)
Poetry and Songs for Pleasure:
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Bob Dylan " Mr. Tambourine Man" (799)
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Don McLean “Starry Night”
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Class discussion: Paraphrase and Analysis
13
14
Poetry IV: Poetic Forms (2)
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Cummings, e. e. “anyone live in a pretty how town” *--- “l(a” (p. 844)
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Frost, R. “Mending Walls” (1914 p. 886)*
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Pound, E. "In a Station of the Metro" (1916 p. 936)
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Hughes, L "Harlem" (1951 p. 635)
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Szymborska, Wislawa “The Terrorist, He Watches”(1981)*
Poetry and Songs for Pleasure:
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Suzanne Vega “Tom’s Diner”
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Class discussion: Paraphrase and Dramatization (Creative Adaptation)
下學期
週次 單元 教材連結
Medieval Lyric & Ballads
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Anonymous “Western Wind”
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Anonymous “Sir Patrick Spence” (812)
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*Anonymous “Barbara Allen”
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Cf. Keats “La Belle Dame sans Merci”
1
16th Century Poetry
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Shakespeare
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Sonnet 116 “Let me not to the marriage...” (646)
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*Sonnet 18 "Shall I compare thee to a summer's day" (756)
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* the courting sonnet from Romeo & Juliet
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Video: Shakespeare in Love
2
17th Century Poetry
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Donne “The Flea” (712)
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Donne "Valediction: Forbidden Mourning" (1013)
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Donne “Death, Be Not Proud” (1012)
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Marvel “To His Coy Mistress” (713)
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Related Film: Wit
3
4
18th Century Poetry (Poetic Criticism)
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Pope “Sound and Sense” from Essay on Criticism (776)
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Related Film: Eternal Sunshine of the Spotless Mind, Orlando
Romantic Poetry
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Blake “The Sick Rose” (767) “London” (658)
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* Wordsworth “I Wandered Lonely as a Cloud”
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Keats “Ode on a Grecian Urn” (1033; ref. 918)
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*---. “La Belle Dame sans Merci”
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*---. "Bright Star"
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Related Film: Bright Star
Romantic Poetry
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* Shelley “Ozymandias”
Victorian Dramatic Monologue
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* Browning “My Last Duchess” (1009)
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* Tennyson “Ulysses” (928)
5
Frankenstein (1):
Introd and Letters and Chaps 1 and 2-- Narrative Frames and Family Relations
Frankenstein (2):
Chaps 3-10 -- Science and Creation
6
7
Frankenstein (2):
Chaps 3-10 (cont'd)-- Science, Nature and Creation
8
Frankenstein (3):
Chaps 11-17 -- The Human Monster's Education
Frankenstein (4):
Chaps18-23 --Revenge and Obsession
9
Frankenstein (5):
Chap 24 and Conclusion -- Romantic Hero and Gender
10
Review: Discuss and Learn
11
12
Arthur Miller: The Death of a Salesman Act I
Arthur Miller: The Death of a Salesman Act II
13
The Death of a Salesman Requiem & Conclusion
14